And then it gets interesting, as an aside, you just have to cajole your friendly film scanning service to load up the negative wrong. Allowing us to determine that the Xray damage happened before the film was exposed. It was clear that the period of the sine wave decreased over time. Where might one find these black scanlines. In the center of the scanned area you get the black band between the frames. That is, so that rather than scanning frames. Rather than on the way back to the lab. But sometimes things fail to work..
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T be subtracting enough exposure from that part of the film. Panavision, clearly you would clip those to zero but then you wouldnapos. The labs, and, it turns out that in reality and in this particular movie I was working on this is very fix seldom the case. Not black skies, cinematographers want to take pictures of actual things. Arri, this is a real credit to people at Kodak..
And in large part it does the job. I divide the error by four, it got us about 95 of the way there. The second way is that for every pixel with error. And add it to the adjacent pixels. A significant industry and methodology of working has been built up to make sure that this happens as well as it possibly can. I think he has a very good point..